Everlyn Sampi is brooding and charismatic as leader Molly, ably complemented by the confused Tianna Sansbury and delicate Laura Monaghan as her two charges. I managed to fluke free preview tickets for this because the tickets I hadcome to collect were all gone! Once again we have been taught a lesson about the way we treat the native people of this world. The 1,500 mile trek is expertly paced and the film is by no means dull. And I am afraid that this is not giving the right message to international viewers. It is a story that had the potential to be interesting, thought provoking and cause a real sense of empathy for the girls, but I feel that this was not done adequately. It concentrates on the girls' escape in the scorching desert, and lacks excitement and suspense.
For days they walk north, following a fence that keeps rabbits from settlements, eluding a native tracker and the regional constabulary. I won't get into that here, because it'sirrelevant to the question of whether Rabbit-Proof Fence is a goodfilm. Suffice it to say it's about three girls walking and walking and walking and walking and. What this movie, and unfortunately the majority of people who see it, fail to recognise is that in a lot of cases removing these aboriginal children from their homes was actually beneficial in many cases. There is some controversy over just how factual the film and its bases are including the book by the real-life Molly Craig's daughter, Doris Pilkington , and there were some interesting parallels to the situation depicted in the film and behind the scenes facts about star Sampi and director Phillip Noyce.
This is truly heart-wrenching stuff. It would be easy to make the case that this film is one long boring flick. Then there is the diector who not only scoured the continent to findthree suitable aboriginal girls to play theleads but moulded theseinexperienced beginners into the believable characters of Molly, Daisy andGracie. It makes out the white Australians of the time were racist and only trying to harm the aboriginals when this was not the case. However, it would also be easy to makethe case it is a beautifully filmed story of courage, determination, and thetriumph of the human spirit. Themusic, by Peter Gabriel, is also worth noting. Abducted by police in 1931 from their families atJigalong, an Aboriginal settlement on the edge of the Little Sandy Desert innorthwest Australia, the three girls are sent to the Moore River NativeSettlement near Perth.
I was surprised that this cruel and immoral practicecarried on till as late as the seventies. Noyce fuses all these elements into a superbly moving, deeply satisfying film. Though the white officials andpolice are characterized as smug and unfeeling, they are more likebureaucrats carrying out official policies than true villains. He doesn't act out of cruelty; he believes that he's doing the right thing. Noyce doesn't paint a picture completely without ethical nuance,however. The little girl actresses were also amazing and convincing! That Australia could do this up until the 1970s seems almost incomprehensible but that this film could then be made is a start to acknowledge and heal that wrong. Director of Photography : Christopher Doyle, Screenplay : Christine Olsen, Executive Producer : Kathleen McLaughlin, Editor : Veronika Jenet, Novel : Doris Pilkington, Director : Phillip Noyce, Executive Producer : Jeremy Thomas, Producer : Phillip Noyce, Executive Producer : David Elfick, Producer : Christine Olsen, Producer : John Winter, Editor : John Scott, Original Music Composer : Peter Gabriel Yes, now you can view movie of entirely length and get the url to this video Rabbit-Proof Fence in High Quality.
The tracker, Moodoo David Gulpilil , managedto be very effectively complex, all while uttering barely a word. What a touching story of three girls, marvelously portrayed by unknownyoung actresses, who escape from a horrific government policy, initiatedbywhite supremacist Australia pre-Hitler and Nazi Germany. It is part of Australianhistory. I was also very impressed with the acting of the girls. Few films have garnered so much applause from critics and public alike with so little. This all sets the backdrop and motivation for the heart of the film, which is a story of just what conviction, persistence and a bit of resourcefulness can do. This is a fascinating adventure , a breathtaking struggle to survive.
The fact that the current PrimeMinister of Australia refuses to apologise for it to this day shows that itis important that this story be told. This is the rare movie that the family can enjoy together, and also discuss afterwards! The film ends up being dry and monotonous. In Australia no less, I was shocked. Itis beautifully shot and uses the Australian landscape to great effectcomplimenting the enormity and emotion of the terrible, terrible true story. On the other hand, there is a politics present in the film that is not ignorable. Is this really any different? This true account of three aboriginal half-caste girls going home after being removed from their mother is wrenching and simply one of the great films of Australian cinema. Many of the children were living in absolute squalor and were rescued from that and offered the chance at a decent life.
The stunning Australian landscape is magnificently photographed byChristopher Doyle, and a haunting score by Peter Gabriel translates naturalsounds of birds, animals, wind and rain into music that adds a mysticalfeeling to the journey. The real footage that we see at the end of the film is so powerful that the whole essence of what you have just watched becomes even more devastating. This thoughtful presentation is worth watching. Thestory is a little weak at some points once the children escape the filmhas a touch too many scenes of near-capture and escape to sustain the drama. I would argue the latter. As for the cast, Sampi is simply enchanting, and Branagh is as goodhere as I've seen him in any other film of his, even though his role isa relatively minor one. Above all, this is an extraordinary tale that moves the heart.
Neville could easily have beenoverplayed as a hammy villain of the piece but here he is played just right he is a real man and we are left to decide for ourselves what to make ofhim. Neville, theminister in charge of half-castes. This was a fascinating story that deserved to be told. The motion picture is stunningly directed by Phillip Noyce , an Australian director who emigrated Hollywood where achieved successes such as ¨Patriot games , Clear and present danger , The Saint¨. The English-language trailer pitches the film as a journey of survival and endurance, which it is. Set primarily in the breathtaking Australian wilderness,magnificent cinematography goes without saying.
It is very unobtrusive,but elegantly emphasizes mood throughout the film. We call them the Stole Generations. Today many of these Aboriginal people continue to suffer from this destruction of identity , family , life and culture. This is one of the best films I've seen this year and hasstruck a responsive chord in Australia and all over the world. Noyce tells this devastating tale in simple but moving fashion.
Herded into mass dormitories, they are not allowed to speak their nativelanguage, are subject to strict discipline, and, if they break the rules,are put into solitary confinement for 14 days. Took me off guard and broke my heart, where as inAmerica we took the Native Americans and did the almost the same thing. We recognize that it's awful that he's working with the oppressors, but somehow he also gives the feeling that he can't continue like this. The cast are mixed but are important where it matters. While, in retrospect we can clearly see that what they did was wrong, the people at the time could not. Top-notch , colorful cinematography by Christopher Doyle who reflects splendidly Australian Outback. The children are mainly concerned with avoiding theblacktracker who is following them.